Composer Highlight: Adam Roberts by and Play

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Where does the title Diptych come from?

In the history of art, a diptych was a painting or relief carving made of two parts, and in this way, the title simply describes my piece's form: it is two pieces put side by side. I find it useful to think in this way, because it's different from thinking about "movements," which follow each other and sometimes have thematic connections. My piece really is two different pieces that could stand alone; that said, there's something that hopefully emerges when they are heard one after the other, a kind of commentary or dialogue that is more than what either piece could say on its own. I think of my music as being both gestural and about motion on the one hand, but also sound and timbre on the other hand. Both pieces work with gesture and timbral change, but the first, shorter piece is more about sound and the second is more about gesture. In this way the two pieces give a glimpse of two different points on the spectrum of my musical thought. Also, I think there's something interesting about two movement forms in general: they were rare, three or four movements were much more common, and there's something about the charged polarity of two experiences set in relief without a third that I find beautiful in a tense, even unbalanced way. Beethoven Op. 111 comes to mind as a particularly poignant example.

If you could describe the piece in two words what would they be?

Longing and Ringing

How was it writing for violin/viola? Did you love it/hate/find it challenging/all of the above?

I've always loved writing for strings because they're so versatile and can basically do anything I hear in my head. I found some things surprising about writing for violin/viola. I assumed that I would miss low bass notes without a cello, for example, but realized that the experience of the low register on the C string on the viola still feels pretty "bass-y." Two double stops ringing together can feel thick, giving the perception of more than two instruments. I enjoyed getting to know these aspects of this combination.

What is your favorite snack to compose with?

Coffee! (I've also recently been into Bamba now that Trader Joe's carries it).

Fun fact you have learned recently?

Acting like a dinosaur and chasing babies around is even more fun than it sounds.

Learn more about Adam and listen to his music on his website!

Collaborator Highlight: Aperture Duo by and Play

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We are SUPER excited to be working with the LA-based violin/viola duo, Aperture Duo this season on our project, (a place is a place)! We have co-commissioned three new works that we will be premiering in LA and NYC January 2020 by Caroline Chen, Matt Evans, and Andrew McIntosh. Adrianne and Linnea are wonderful humans and we have loved getting to know them through many an email and google hang! Get to know them a bit and make sure to check out their website and soundcloud!


Tell us a bit about yourselves!

We are sitting at Linnea’s kitchen table drinking green tea during a rehearsal break and we’re procrastinating just the right amount. We’re going into the studio this Saturday to continue recording our debut album on Populist Records with some of our favorite commissions by some of our favorite people. Adrianne is busy on the album art (she also made our logo!) and Linnea is finalizing the timeline for our release. This has been our most collaborative season yet...in October we were featured in a concert curated by Wild Up presented by the Los Angeles Chamber Orchestra and Four Larks. In September we did a performance art based collaborative concert with our friends Autoduplicity. And we can’t wait for (a place is a place) with andPlay in January!  

What are you most excited about with this project?

We’re most excited about the creation of three new works, playing with Maya and Hannah, and seeing where this project goes from here! There are tons of possibilities and we can’t wait to see where it leads.

What music are you listening to these days?

In the car (we’re in the car just a normal amount! Don’t worry! It’s not that bad here!) 

Linnea listens to 89.9 KCRW’s Morning Becomes Eclectic and Adrianne listens to 93.5 KDAY. On commercial breaks, Linnea turns on Robyn’s latest album (she’s just getting into it after hating it at first) and Adrianne attempts to sing along with Lila Downs.

If you had to pick one thing for andPlay to taste/see/hear/etc. in LA what would it be?

ONE THING!?! Guisados for tacos. Hands down.

Favorite travel snack?

Barbara’s Jalapeño Cheese Puffs (we’re pushing for a sponsorship), iced green tea and fruit snacks in any form! Crunchy, gummy, hydrating, caffeinating.

Aren’t these two THE BEST?! xo, M + H



Composer Highlight: Anthony Vine by and Play

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We couldn’t be more excited to be working with Anthony Vine on this beautiful duo that he wrote for us this Spring! If you are in NYC, the premiere is April 12th at 7pm at Areté Venue & Gallery and we would love to see you there!


Tell us a bit about your piece? What inspired it?


In Terrain, the approach to playing the violin and viola is reversed: one bows near the nut, and the nodes / touch points—established by interwoven paper clips, rather than finger pressure—are near the bridge. The bow is drawn with very lightly and carefully to produce a spectral haze of complex resultant tones. These sonorities are cast in a monochromatic plane that constantly flickers with every slight shift in bow pressure and placement.

It is hard to pinpoint an explicit source of inspiration, but a few scattered things come to mind: the shimmering black paintings of Rauschenberg, the undulating cinder cones along route 395, and the poems of Mei-Mei Berssenbrugge.

If you had to describe the piece with one word what would it be?

wavey

What is bringing you joy these days?

Visiting Anza-Borrego, eating burritos after 8pm, and watching old movies (with subtitles) at Live Wire.

What music have you had on repeat this month?

Offset, Sarah Davachi, and Olivier Demeaux.

Tell us something we don’t know (about yourself or the world at large).

Once in a while, I like to fire up Max and listen to two closely related sine waves that create interference patterns of twenty to thirty minutes, sometimes an hour or so.


Check out more from Anthony here!

Composer Highlight: Sky Macklay by and Play

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After an incredible week workshopping with Sky last summer at Avaloch Farm Music Institute we are ready to bring this piece to life! Wild horses couldn’t hold us back! Come hang on April 12th at 7pm at Areté Venue & Gallery in Brooklyn, NY!


Tell us a bit about your piece? What inspired it?

My piece, Maps (of Friendship) for violin, viola, and video, was inspired by the beautiful friendship and busy lives of Hannah and Maya! I remember reading one of andPlay's bios a few years ago and it mentioned that Hannah and Maya live on opposite sides of New York City, but like to meet in the middle for rehearsals and baked goods. This image of them traveling (relatively) long distances to come together as a duo stuck with me and that was the starting point for my piece. The video includes little cartoon avatars of Hannah and Maya who move around the city and the world. I am fascinated with both our perceptions of time in music and our perceptions of time during transit, so I combined those two interests in this piece. The intersections of time, convenience, comfort, cost, relationships, and values shape our decisions about how far is too far to travel for any particular thing, and these decisions are not only personal, but greatly impacted by infrastructure, weather, and other chaotic factors. This piece expresses the complex emotions and diverse experiences of time we (and especially Maya and Hannah) encounter on different modes of transportation.


If you had to describe the piece with one word what would it be?

sweet


What is bringing you joy these days?Having time to compose and actually finishing pieces!

The fall was my first semester of full-time professoring (at Valparaiso University in Northwest Indiana) and I did not do so well with balancing my teaching and composing. This semester has been more balanced and I've composed a lot more which, though it's usually hard in the moment, really brings me joy. Also my Latin dance exercise class brings me joy because I have an amazing teacher and I see my coordination and isolation of body parts improve in every class!  


What music have you had on repeat this month?

Gluck's Orfeo! It started because I am learning to sing and play "Che faró senza Euridice" just for fun and that lead to listening to the whole opera on repeat.


Tell us something we don’t know (about yourself or the world at large).

For many years I was a certified lifeguard so I know that the correct tempo for CPR is quarter = 103.  

Check out more from Sky here!